Mark DeGarmo Dance Presents its Virtual Salon Performance Series for Social Change 2022

By Mark DeGarmo Dance

Mark DeGarmo Dance continues its transcultural transdisciplinary Virtual Salon Performance Series for Social Change 2022 to an international audience on Zoom with performances featuring global performing artists from New York City and Riga, Latvia– Sloga Iyengar (New York City), Marija Krtolica &  Dustin Maxwell (New York City), Aigars Larionovs & Nauris Mikelis Goba (Riga, Latvia), and Debbie Mausner (New York City) on Thursday April 7th at 7PM ET. Each performance is curated and includes audience response supported, encouraged, and facilitated by Dr. Mark DeGarmo.

Tickets are by donation and can be purchased here.

About the Artists

Nauris Mikelis Goba is a Latvian dancer and Choreographer. He graduated from Latvia Academy of Culture with his BA in contemporary dance art. Nauris has participated in international dance projects such as SHARE festival in Slovakia and Macedonia, COLINE dance education program in France, and others.

Sloka Iyengar is a neuroscientist and Bharatanatyam dancer passionate about using her dance and science training for public impact. She is the founder of “SamyuktaNYC” (Samyukta in Sanskrit means “to come together”) to explore the many points of convergence between dance and neuroscience.

 

Marija Krtolica (PhD in dance, Temple University; MA PS NYU;  MFA choreography UC Davis) has been making dance-theater since the early 1990s. In her recent works, she aims to join an experimental artistic practice with a critical analysis of the shifting meanings of the expressive embodiment in society.

 

Aigars Larionovs is a Latvian-born movement artist and choreographer. He graduated with an MFA degree from Florida State University School of Dance in May 2020. He has taught capoeira and dance workshops in the US, Latvia, Italy, and Greece. He has performed works by Jawole Willa Jo Zollar, Guy Nader and Maria Campos, Ilze Zirina, and Josephine Garibaldi.

Dustin Maxwell is a movement based performer, performance maker, visual artist, yogasana instructor, thai bodyworker, and death doula in training. He holds a BA in Dance from the University of Minnesota. He is a 2019 Jerome Hill Artist Fellow and was nominated for a 2015 Sage Award for Outstanding Performer.

 

Debbie Mausner is a dance artist and educator from Brooklyn, NY. In addition to choreographing and performing, she is also a co-founder and producer of the emerging artist series Current Showcase.

About Mark DeGarmo Dance
Founded in 1987, Mark DeGarmo Dance is a leading New York nonprofit dance organization that educates New York City communities and children; creates, performs, and disseminates original artistic work; and builds intercultural community through dance arts. MDD commits its resources to serving social justice, equity, and equality issues across multiple fronts through dance arts in NYC, the U.S., and internationally. MDD celebrates its 35th Anniversary in 2022.

General Manager

Elena K. Holy is proud to join the 4A movement as General Manager. Her 30+ year arts management career includes NYC’s non-profit Roundabout Theatre Company, commercial Broadway and Off-Broadway at Richard Frankel Productions, and founding and running The Present Theatre Company,  where she co-created the New York International Fringe Festival (FringeNYC). FringeNYC was once the largest multi-arts festival in North America – with an all-volunteer staff of 100 people, 2500+ additional volunteers, and 5000 artists representing 200 companies from all over the world, and producing nearly 1100 performances annually, with many now-famous alumni and productions.

As Producer, Holy was awarded the 1997 New York Magazine Award for her “creativity, vision and enterprise”. In 2006, she was named one of New York Magazine’s “Influentials” because she “turned the Fringe Festival, which she founded in 1996, into Sundance for the theater crowd – a place where anyone with an idea and a tiny budget can get noticed. Urinetown, the 1999 Fringe musical that made it to Broadway and won three Tonys, is the most extreme example, but more than a dozen Fringe shows have gone on to significant Off Broadway runs. Her triumph: retaining the fest’s brilliant lunacy amid commercial success.”

Other achievements include the 2007 Mayor’s Award for Arts & Culture, serving as a Tony Awards Nominator from 2008, and being named an Indie Theater Hall of Fame “Person of the Decade” in 2015. As FringeNYC ended (and the pandemic began) she became Interim Managing Director at SHADOWLAND STAGES in beautiful Ellenville, New York where she and husband Kevin share a home with their two westies, Daisy and JuneBug. She serves as Treasurer for the local Chamber of Commerce and is an active member of her community.

Communications and Marketing Coordinator

Working as the Communications and Marketing Coordinator of 4A Arts fulfills Alex Carrillo’s dream to bring his knowledge of the entertainment industry to the broader arts and culture world. Born in Oakland, CA and raised in the Tri-Cities of Washington state, Alex envisaged himself exiting generational poverty and eventually working in the music industry.

After high school, without scholarships, funding, or other support to help him reach his goals, he enlisted in the U.S. military in 2013, joining the Army Infantry. Alex received his basic training in Fort Benning, Georgia before being stationed in Fort Drum, New York, where he proudly became a member of 4-31 Charlie Company, the Mountain Division (the world’s best kept secret). In 2015, Alex was deployed to Afghanistan in a classified combat war zone through early  2016. 

After his time in the service, Alex returned home to seek his college degree. He enrolled at The Los Angeles Recording School, a division of the Los AngelesFilm School, where he received his associate’s degree in Music Production and bachelor’s  in Entertainment Business. 

While still studying at the L.A. Recording School,  Alex landed a publishing deal with Position Music, earning his music a place in the Netflix movie Moxie and in the video game NBA2k22 with his album Locked In. 

After receiving his Bachelor’s degree, Alex began working on the business side of the industry, managing artists, performing social and digital marketing, and distribution, among other duties. Alex joined 4A Arts in the summer of 2022, bringing those talents to the nonprofit world.

Director of Research and Operations

Whitney S. Christiansen is a native Kentuckian with an interdisciplinary background in arts, education, and advocacy. She spent nearly a decade teaching secondary English and drama in public schools, receiving a master’s in Interdisciplinary Humanities from the University of Louisville in 2017, where she received that year’s Grady Nutt Award for the year’s most creative directed study project, “Summoned,” an interdisciplinary practicum that combined research on medieval morality plays and Marlowe’s Doctor Faustus with contemporary concepts of costume and set design. From 2009-2015 she was a cast member and later director for the Kentucky Highland Renaissance Festival, where she inaugurated and directed the festival’s teen cast, who developed two stage shows in the commedia dell’arte tradition. 

Leaving the classroom in 2019, Whitney received her second master’s degree from Colorado State University in Arts Leadership and Cultural Management, where she began working with Be An #ArtsHero, a grassroots campaign dedicated to bringing COVID relief to Arts Workers (now Arts Workers United.) She was the researcher on staff for AWU’s lobbying team for the U.S. House Small Business Committee’s January 2022 hearing on the creative economy, and for Ovation TV’s The Green Room with Nadia Brown, an educational comedy show about the creative economy that launched in March of 2022. Formerly the general manager of the Center for Music Ecosystems, Whitney heads up 4A Arts’ new research initiative alongside her work managing central operations.

executive director

Actor, entrepreneur, political strategist, and father of two, Gavin Lodge comes to 4A Arts with a unique perspective on arts and culture in America. A 20-year veteran of stage and screen, Gavin grew up in suburban Colorado and traversed the country in his work with political campaigns at the senate and presidential levels as well as touring for shows.

After studying international affairs and philosophy at the University of Colorado, he worked as a field organizer in the Iowa Caucus followed by the role of “body guy” to then-candidate Senator Maria Cantwell of Washington State. Politics empowered him to move to New York City to pursue a performing career. Ultimately, he performed in multiple Broadway shows (including 42nd Street, Spamalot, and Priscilla, Queen of the Desert) as well as regional theater, national tours and several network television appearances.

Though he was thrilled every time he stepped onto a theatrical or sound stage, Gavin was equally happy to take on leadership roles in his local union and later his kids’ PTA.  

With the Covid-19 pandemic, Gavin jumped back into the political realm, working as a strategist for Bryson Gillette, a minority-owned PR firm focused on politics and public affairs. He also volunteered for Be an #ArtsHero, an arts advocacy movement blossoming during the first few months of the pandemic. During his time with Be an #ArtsHero, he was part of a team that successfully lobbied for a first-of-its-kind hearing on the creative economy in front of the House of Representatives Small Business Committee.

Gavin lives in rural Connecticut with his partner (a composer and orchestral conductor), his TikTok-dancing daughter (who is musically gifted in unparalleled ways) and his soccer-playing son who recently told him “Dad? I’m just not into concerts and theater stuff.” As he told his son, Gavin believes there is much more to American arts and culture than “concerts and theater stuff.” From the video games his son loves to play to low-rider paint jobs to streaming television series while sitting on the couch, Gavin sees American arts and culture as an inclusive, “big tent” spectrum where everyone is an artist and everyone is a member of an audience.